工业遗产旅游地文化场景维度设计与价值表达研究  

Research on Dimension Design and Value Expression of Cultural Scene in Industrial Heritage Tourism Destination

作　　者：陈波[1] 陈立豪 Chen Bo;Chen Lihao(National Institute of Cultural Development,Wuhan University,Wuhan 430072,P.R.China)

机构地区：[1]武汉大学国家文化发展研究院,武汉430072

出　　处：《山东大学学报（哲学社会科学版）》2023年第2期21-34,共14页Journal of Shandong University(Philosophy and Social Sciences)

基　　金：国家社科基金艺术学重大项目“促进文化和旅游融合政策创新研究”(20ZD01)。

摘　　要：目前,我国各大城市正处于“增量规划”向“存量规划”转型的时期,城市中的工业遗产空间从计划经济时代的纯粹生产要素逐步演变为公共文化空间,呈现出强烈的文化消费价值。从演化机制上看,工业遗产旅游地形成了以空间生产为内生动力、场景价值表达为外在表征的逻辑框架。工业遗产旅游地场景具体可分为物理空间、精神空间与社会空间三大维度及其对应的15个子维度。以陶溪川文创街区为例开展实证分析,结果表明,陶溪川文创街区丰富的业态满足了主体多元化的消费需求,创新氛围孕育了当地特色创意经济但其在开发过程中出现了过度绅士化倾向,同时过度商业化导致了文化空间的异化。未来应当从开发利用历史资源、烘托创新表达氛围、鼓励多元主体参与、再造公共空间精神几个方面着手提升工业遗产旅游地规划建设水平,增强工业遗产旅游地场景价值。With the deepening of modernization and rapid economic and social development, land resource allocation has undergone tremendous changes. China’s major cities are in the transition period from “incremental planning” to “inventory planning”. The industrial heritage space in cities has gradually evolved from a pure factor of production in the planned economy era to a public cultural space, showing a strong cultural consumption value. The development of cultural tourism in industrial heritage areas provides a new development idea for the spatial renewal and industrial activation of industrial brownfields. From the perspective of the evolutionary mechanism, the industrial heritage tourism destination has formed a logical framework with space production as the endogenous driving force and scene value expression as the external representation. The endogenous driving force of the spatial production of industrial heritage tourism destinations comes from the combination, conflict, game, and balance of the value pursuit among the subjects of industrial enterprises, urban governments, development enterprises, and the public, and it is also the carrier of the interwoven projection of social relations and cultural resources. The interpretation framework explains the realistic context of space practice for analyzing and designing the scene dimensions of industrial heritage tourism destinations. Based on the analysis of the dynamic mechanism of spatial renewal of industrial heritage tourism destinations, the logic of cultural scene of localization industrial heritage tourism destinations is established, and 15 sub-dimensions are proposed under the three dimensions of physical space, spiritual space and social space. In physical space, there are subdimensions of authenticity, dailiness, traditionality, and openness. Under the spiritual space, there are sub-dimensions of localization, cultural symbolism, aesthetics, nostalgia, and entertainments.Under the social space, there are sub-dimensions of innovation atmosphere,

关 键 词：工业遗产旅游地 文旅融合 文化场景 陶溪川文创街区 

分 类 号：F424[经济管理—产业经济] F592[文化科学] G122[历史地理—考古学及博物馆学] K878[历史地理—历史学]