张若谷歌剧观的形成过程研究  

Research of the formation process of Zhang Ruogu’s opera concept

作　　者：满新颖[1] MAN Xinying

机构地区：[1]厦门大学,厦门361005

出　　处：《音乐艺术（上海音乐学院学报）》2022年第4期69-79,M0003,共12页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2020年教育部人文社科基金一般项目“中国歌剧批评的三大关系及重大争鸣问题研究”中期成果之一,项目批准号:20YJA760056。

摘　　要：张若谷是20世纪上半叶的一位歌剧理论家和批评家,其歌剧理论评论曾对黎锦晖等人尤其是上海普通市民初识歌剧、对中国文艺界更新歌剧观念起过积极作用。梳理和考察张若谷知识结构、审美理性的形成及其人文生态,对建构当代中国歌剧批评学科和歌剧人才培养具有参考意义。Zhang Ruogu(1905—1967)was a Chinese opera theorist and critic,and his opera theory criticism had played a positive role in Li Jinhui and other composers,especially ordinary citizens in Shanghai,who first learned opera and updated the concept of opera in the Chinese literary and art circles.Sorting out and investigating Zhang Ruogu’s knowledge structure,the formation of aesthetic rationality and its humanistic ecology has reference significance for the construction of contemporary Chinese opera criticism and the cultivation of opera talents.

关 键 词：感性素质 西洋歌剧 “旧戏” 歌剧观念 审美理性 

分 类 号：J607[艺术—音乐]