论蔡元定《燕乐》  

On Cai Yuanding’s“Yanyue Music”

作　　者：吕畅[1] LV Chang

机构地区：[1]四川音乐学院音乐学系,成都610000

出　　处：《音乐艺术（上海音乐学院学报）》2022年第4期87-97,M0004,共12页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2020年度教育部人文社会科学研究规划基金项目“南宋蔡元定音乐著述整理与研究”阶段性成果,项目批准号:20YJA760054。

摘　　要：南宋蔡元定所著《燕乐》有诸多异称,《燕乐》《燕乐原辨》《燕乐本原辨证》是较恰当的称名。《燕乐》虽然久已散佚,但其部分信息留存于《宋史》《攻媿集》《朱子全书》等著作。该书成书下限是宋光宗绍熙癸巳年(1193),为一本独立的著作,包含图说、律本、正律、俗名四节,主要观点是燕乐源自雅乐。蔡元定《燕乐》的撰述目的并非探讨唐宋燕乐二十八调的音乐形态,而是为构建雅乐理论体系而作,故可将其视为北宋以来雅乐理论探讨的延续。Since the Southern Song Dynasty Cai Yuanding’s“Yanyue”(banquet music)has been dispersed for a long time,yet some of its information has been preserved in works such as“History of Song”,“Gongkui Collection”,“Zhuzi Quanshu”and so on.Among the many different names,“Yanyue”,“Yanyue Original Identification”and“Yanyue Benyuan Dialectic”are more appropriate titles.The purpose of“Yanyue”is not to explore the musical form of the twenty-eight tones of Yanyue in the Tang and Song dynasties,but to build a theory system of Yayue(ritual music),which is a continuation of the theoretical discussion of yayue music since the Northern Song Dynasty.

关 键 词：蔡元定 朱熹 《燕乐》 《燕乐原辩》 《攻媿集》 

分 类 号：J609.2[艺术—音乐]