一带一路上的梨形琵琶  

The pear-shaped pipa on the Belt and Road

作　　者：吴慧娟[1,2] 宋婉忻 WU Huijuan;SONG Wanxin

机构地区：[1]福州大学,福州350000 [2]福州大学人文学院,福州350000 [3]福建医科大学文理艺术学院艺术系,福州350000

出　　处：《音乐艺术（上海音乐学院学报）》2022年第4期143-148,M0004,共7页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：一带一路上的梨形弹拨乐器,起源于史前美索不达米亚的一种叫“乌德”也称“巴尔伯特”的弹拨乐器。在中国演变成被称为“琵琶”的乐器。不仅乐器本身发生了很大的变化,而且演奏姿势由横抱、斜抱转为竖抱,演奏方法由指肉或加内指甲触弦,转为以指甲面触弦的奏法,这是符合中国人的欣赏习惯、审美观念的转变。一带一路促成了沿途各种梨形式弹拨乐器的产生,其间主要是西洋的琉特琴属和中国的琵琶属。这一切都是一带一路带来的开放、包容、接受、变化的结果,对今人有着极大的启示。The pear-shaped plucked instrument on the Belt and Road originated from a plucked instrument called“Ud”or“Balbert”in prehistoric Mesopotamia.In China,it evolved into a musical instrument known as the pipa.Not only has the instrument itself undergone great changes,but the playing posture has changed from horizontal hugging and diagonal hugging to vertical hug,and the playing method has changed from finger flesh or inner nail touching the string to touching the string with the nail surface,which is in line with the appreciation habits and aesthetic concepts of the Chinese.

关 键 词：一带一路 乌德 琉特琴 梨形琵琶 演奏姿势 演奏法 

分 类 号：J607[艺术—音乐]