传统·现代·爵士——卡普斯汀的《七首左手复调乐曲》分析  

Traditional,modern and jazz:An analysis of Capustin’s“Seven Polyphonic Pieces for the Left-Hand”

作　　者：梁发勇 LIANG Fayong

机构地区：[1]中央音乐学院作曲系,北京100031

出　　处：《音乐艺术（上海音乐学院学报）》2022年第4期162-172,M0004,共12页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：作曲家、钢琴家尼古拉·卡普斯汀的《七首左手复调乐曲》呈现出既运用传统的卡农曲和赋格体裁,又结合现代音乐创作技术、融合爵士乐风格的音乐语言,以及单手演奏钢琴作品的创作个性。这部作品不仅可提升左手灵活性,而且还突出了爵士风格,在钢琴左手复调乐曲的创作与演奏方面具有重要的学术与实践意义。The composer and pianist Nicolai Capustin’s“Seven Polyphonic Pieces for the Left-Hand”presents a creative personality that combines traditional canon and fugue genres,modern music techniques,jazz-style musical language,and one-handed piano works.This work is not only to enhance the flexibility of the left hand,but also to highlight the jazz style,which has important academic and practical significance in the creation and performance of piano left-hand polyphony.

关 键 词：卡普斯汀 《七首左手复调乐曲》 卡农曲 赋格 爵士乐风格 

分 类 号：J614.3[艺术—音乐]