新时代影像审美变迁与生产张力的书存立照--作为文化印记、审美呈现与创作流变史的《中国影视蓝皮书》  

A Book on the Changing Aesthetics and Tensions in Production of the New Era Film and Television:The Blue Books of Chinese Film and Television as a History of the Changing Culture,Aesthetics,and Art Production

作　　者：范志忠[1] 张明浩 FAN Zhizhong;ZHANG Minghao(School of Media and International Culture,Zhejiang University,Hangzhou 310030)

机构地区：[1]浙江大学传媒与国际文化学院,杭州310030

出　　处：《文化艺术研究》2023年第1期84-95,115,共13页Studies in Culture and Art

基　　金：国家社会科学基金艺术学重大项目“新时代中国电影工业体系发展研究”(项目编号:20ZA19)的阶段性成果。

摘　　要：《中国影视蓝皮书》丛书(2017—2023)是时代影像的历史性总结,能够映照影视年代史的文化变迁、审美流变与生产逻辑。近年来,中国的影视作品聚焦现实主义,进行主流话语的多元尝试,探索新主流宏大叙事及其青春化表达、新主流历史叙事与当下时代书写、新主流的温暖现实主义叙事及其体制内策略。在美学层面,中国影视尝试立足中国器物原型与美学原型进行古装历史审美的延续,形成了互助叙事、规训叙事等新型女性独立叙事方式,表现出影游融合的创作趋势与游戏美学的审美趋向。The Blue Books of Chinese Film and Television(2017-2023)is a historical summary of Chinese film and television,reflecting the changes in the industry's culture,aesthetics,and production logic.In recent years,Chinese film and televisionfocus on realism,make various attempts in demonstrating the mainstream discourse,exploring the New Mainstream grand narratives and its representations for the younger generation,the New Mainstream historical/current narratives,and the New Mainstream warm realist narrative and its realization within the system.In terms of aesthetics,Chinese film and television try to extend the historical aesthetics of costume drama on the foundation of historical artifactsand aesthetic archetypes and form"new woman"narratives such as"girls help girls"and disciplinary narratives,reflecting a trend towards the fusion of film and games in television and film production as well as aesthetics.

关 键 词：《中国影视蓝皮书》 新时代影像 审美变迁 生产策略 

分 类 号：J905[艺术—电影电视艺术]