寿州窑陶瓷制作技艺的数字化保护研究  

Research on Digital Protection of Shouzhou Kiln Ceramic Making Technique

作　　者：周光云[1,2] ZHOU Guangyun

机构地区：[1]蚌埠学院艺术设计学院,安徽蚌埠233030 [2]中国艺术研究院研究生院,北京100029

出　　处：《淮南师范学院学报》2023年第1期47-52,共6页Journal of Huainan Normal University

基　　金：安徽省哲学社会科学规划项目“寿州窑陶瓷手工艺传承人口述史研究”(AHSKY2020D105)。

摘　　要：数字化技术为寿州窑陶瓷制作技艺的传承与保护提供了新的思路和手段。首先,文章从理论研究和实践成果角度分析了寿州窑陶瓷制作技艺数字化保护的现状,阐释了数字化技术对其记录和保存、展示和传播、开发和利用的重要意义。其次,从传承人及相关叙述者、遗址遗迹、技艺及文化空间、文献资料四个方面探讨了寿州窑陶瓷制作技艺数字化保护的具体内容,继而提出增强数字化保护意识,完善保护体制机制;增强开放意识,整合多方力量建设数据库;增强用户意识,聚力共同打造数字博物馆;增强传播意识,加快新媒体宣传平台建设的保护策略。最后,强调在保护过程中需要找到数字化技术与文化的契合点,以及保障非遗传承人和拥有者的主体性地位。Digital technology provides new ideas and means for the inheritance and protection of Shouzhou kiln ceramic making technique. The paper first analyzes the current status of digital protection of ceramic making technique in Shouzhou kiln from the perspective of theoretical research and practical results;it is also pointed out that the digital technology is of great significance to its recording, preservation,display, dissemination, development and utilization. Secondly, the contents of digital protection of Shouzhou kiln ceramic making technique are discussed from four aspects: Inheritors and related narrators, ruins, techniques and cultural space, and documents. It then proposes to enhance the awareness of digital protection,improve the protection system and mechanism, enhance the awareness of opening up, integrate various forces to build databases, uplift the awareness of users, join forces to build a digital museum, and enhance the awareness of communication, to speed up the new media platform construction protection strategy. Finally,we need to find the point of convergence between digital technology and culture, and guarantee the subjective status of non-inheritors and owners.

关 键 词：寿州窑 陶瓷制作技艺 数字化技术 保护 

分 类 号：J527[艺术—艺术设计]