新世纪以来老舍婚恋叙事及女性形象研究动向考察  

Study on the Trends of Research on Lao She’s Love and Marriage Narrative and Female Images since the New Century

作　　者：石兴泽[1] Shi Xingze(School of Liberal Arts,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《东方论坛（青岛大学学报）》2023年第2期26-38,共13页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

摘　　要：老舍创作的婚恋叙事及女性形象是新世纪以来老舍研究的重要内容。考察婚恋类型及内涵特点,有“民间性”“传统性”“清醒理性”诸说;分析各类女性形象,对悍妇尤其是虎妞形象做了有新意的阐释。从婚恋叙事及女性形象出发,发掘所表现的文化社会学内涵,探究老舍婚恋观和女性观的传统倾向和男权意识,刷新乃至深化了此前的认识,拓展了研究空间。某些论述重复旧议,是“泛学术”时代很难避免的弊端。老舍婚恋叙事及女性形象研究昭示了新世纪老舍研究乃至中国现代文学研究诸多值得注意的信息。Lao She’s love and marriage narrative and female image creation have been the important subjects of research on Lao She since the new century.An investigation is made of the types and connotation of love and marriage from"folk","traditional"and"sober rationality"perspectives.An analysis is made of all kinds of female images,with a new interpretation of shrews,especially Tigress in Rickshaw Boy.Starting from the narrative of love and marriage and female images,this paper explores the revealed cultural and sociological connotation,probes into the traditional tendency and male power consciousness of Lao She’s view of love and marriage and females,refreshes and even deepens previous understandings,and expands the research space.In the"pan-academic"era,it is difficult to avoid the repetition of some discussion that has been done before.The study on Lao She’s love and marriage narrative and female image creation reveals a lot of information worth noting in the study of Lao She in the new century and even in that of modern Chinese literature.

关 键 词：老舍创作 婚恋叙事 女性形象 研究述评 

分 类 号：I206.7[文学—中国文学]