昆曲现代戏创作的“守格”与“破格”——《瞿秋白》观后的思考  

Inheritance and Innovation of Playwriting of Modern Kunqu Opera:A Rethinking of Qu Qiubai

作　　者：刘叙武[1] LIU Xu-wu(School of Chinese Language and Literature,Southwest University,Chongqing 400715)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《艺术百家》2023年第1期73-79,142,共8页Hundred Schools In Arts

基　　金：2018年度国家社会科学基金艺术学重大项目“戏曲现代戏创作研究”(项目编号:18ZD05)阶段性成果之一。

摘　　要：昆曲现代戏《瞿秋白》取得成功启示我们:编演昆曲现代戏既要遵循传统昆曲剧目一般创作规律,又要根据现代戏创作要求不唯传统、积极创新,体现出“守格”中有“破格”。在思想主题、生产方式、语言音律、情节结构、戏剧美学、舞台时空以及导演技术、表演功法、音乐资源、舞美设计等方方面面,师古今之长,加以精雕细琢,我们才能不断推出具有时代气派的昆曲现代戏力作。The success of the modern kunqu opera QU Qiubai revealed to us that the composition and performance of modern Kunqu operas should not only follow the general creative rules of traditional Kunqu opera,but alsoactively innovate according to the requirements of modern dramatic writing,reflecting its involvement in"inheritance"between "innovations",and refining them in terms of ideological themes,production methods,versification,plot structure,dramatic aesthetics,temporal-spatial stage,as well as directing methods,performance techniques,musical resources and choreography,so as to continuously produce more masterpieces of contemporary Chinese style.

关 键 词：《瞿秋白》 昆曲 昆剧 现代戏 

分 类 号：J805[艺术—戏剧戏曲]