纪念徽班进京200周年振兴京剧观摩研讨大会的历史总结与时代探索  

Summary and Exploration of Commemoration of the 20oth Anniversary of the Huiban's Entry into Beijing and Revitalization of Peking Opera

作　　者：任婷婷 REN Ting-ting(School of Arts and Communications,Beijing Normal University,Beijing 100091;Department of Drama Literature,National Academy of Chinese Theatre Arts,Beijing 100073)

机构地区：[1]北京师范大学艺术与传媒学院,北京100091 [2]中国戏曲学院戏曲文学系,北京100073

出　　处：《艺术百家》2023年第1期101-108,共8页Hundred Schools In Arts

基　　金：2019年度国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(北京卷)”(项目编号:19ZD06)阶段性成果之一。

摘　　要：1990年的纪念徽班进京200周年振兴京剧观摩研讨大会是新中国成立以来,甚至京剧形成以来规模最大的一次艺术活动。京剧优秀剧目会演中,去政治化的现代剧目、青春化的演员和观众、经典化的流派传承突出了“百花齐放”的寓意。学术讨论会上,研究者对京剧形式美的探索与内容决定论的本体叙述之间形成一种强大张力,决定了21世纪戏曲现代化探索的方向。官方话语下的文化活动奠定了这次大会的根本基调,并为20世纪90年代的文艺政策,尤其是京剧艺术发展指明了方向。这次大会所涉及的话题既是对20世纪80年代京剧发展历程的回眸,也对当下戏曲发展具有很强的借鉴意义。In 1990,the Commemoration of the 200th Anniversary of the Huiban's Entry into Beijing and Revitalization of Peking Opera was the largest artistic event since the founding of New China and even since the formation of Peking Opera.In the repertory of outstanding Peking Opera,the depoliticized modern repertory,youthful actors and audiences,and classical genre inheritance highlighted the meaning of"a hundred flowers blossoming".In the academic discussion,a powerful tension was formed between researchers'exploration of the formal beauty of Peking Opera and the ontological narrative of content determinism,and opened the way for modernization of opera in the 21st century.The cultural activities under the official discourse set the fundamental tone of the conference and pointed the way for the development of literary policy in the 1990s,especially the art of Peking Opera.

关 键 词：徽班进京 戏曲会演 百花齐放 戏曲现代化 

分 类 号：J80[艺术—戏剧戏曲]