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作 者:乔方悦 Qiao Fangyue
机构地区:[1]中国社会科学院大学历史学院
出 处:《中国地方志》2023年第1期15-23,M0003,共10页China Local Records
摘 要:戏曲是中国传统文化的重要组成部分,但在古代方志编纂中并未为修志者所重视。古代方志中的戏曲史料依附于社会民俗活动存在,民国时期开始形成独立篇目,逐渐被修志者所关注。新中国成立后开始编纂戏曲志,其目的是为全面、系统地记录与整理各地有价值的戏曲资料。现有的两类当代戏曲志因记述内容侧重不同而在体例上有所区别,在编纂方法上继承传统,体裁完备,同时合理运用图片载体保存戏曲表演影像。当代戏曲志所记内容为我们了解历史上各个时期的戏曲发展状况提供了途径,拓宽戏曲史的研究界限,对戏曲发展的整体过程建立起更为生动、立体的认识,同时也为专业志的编纂提供体例和方法的借鉴。Traditional operas are important components of Chinese traditional culture.However,they received little attention from ancient local records compilers,who included related historical materials in records of folk activities.Traditional operas did not become the subject of an independent chapter or section in local records until the Republican Period when compilers started to notice such historical materials.It was after the founding of the People's Republic of China in 1949 that systematic efforts were made to comprehensively sort and record valuable materials on traditional operas nationwide.The two types of contemporary records of traditional operas focus on different contents and differ in compilation styles.Yet both types inherit traditional compilation methods,follow complete forms of writing,and use pictures to preserve precious images of stage performances.These records give us access to the development of traditional operas in different historical periods,broaden the researchers'overall view of the history of Chinese traditional operas,and provide a vivid and reliable panorama of its evolution,apart from serving as references of style and methods for compilers of specialized records.
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