文化苦旅、视觉政治与边境美学:拉美电影中的边境话语  

Cultural Journey,Visual Politics and Border Aesthetics:Border Discourse in Latin American Cinema

作　　者：武亮宇 Wu Liangyu

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2023年第2期25-30,共6页Film Art

摘　　要：在某些领域显著的逆全球化浪潮中,作为地缘政治概念的边境,是任何关于全球化的讨论的基本问题之一,同时也成为作为后殖民文化的当代电影的重要视觉景观与文化内涵。基于共通的殖民历史,拉美世界中的地缘政治边境与民族、信仰、语言等文化边境存在诸多错位,拉美电影中的边境话语想象性呈现了拉美人对于缝合内部边境、扩展外部边境的持续尝试,继承了“第三电影”运动的精神遗产,同时也回应了正在发生的逆全球化浪潮的时代之问。Border as a geopolitical concept is one of the fundamental issues in any discussion of globalization, and has become an important visual landscape and cultural connotation of contemporary cinema as postcolonial culture. Based on the common colonial history, there are many dislocations between geopolitical borders and cultural borders such as ethnicity, faith and language in Latin America. The discourse of borders in Latin American cinema imaginatively presents Latin Americans’ continuous attempts to sew up internal borders and expand external borders, which inherits the spiritual legacy of Third Cinema and responds to the topical question of the ongoing wave of counter-globalization.

关 键 词：拉美电影 地缘政治 逆全球化 边境电影 边境美学 

分 类 号：J905[艺术—电影电视艺术]