《满江红》:一部“意识影片”的辩证法  

Full River Red:The Dialectics in a “Film with Consciousness”

作　　者：丁亚平 Ding Yaping

机构地区：[1]北京电影学 [2]中国传媒大学

出　　处：《电影艺术》2023年第2期80-82,共3页Film Art

摘　　要：《满江红》剧作扎实,艺术特色与影像美学匠心独具,角色塑造鲜明生动,内涵复杂,展现相互对照辩证法,凸显互动共生的观念和饱满的情绪,反映了“意识影片”原初的丰富性。影片围绕“满江红”的概念主题展开,不断反转,以富有张力的叙事、互动的观念和典型性的复调方式聚焦主题,以相互对照辩证法讲述中原被外族侵犯的大背景下小人物的故事。讲好故事,为观众喜闻乐见,比立意高远重要得多,电影的魅力正在于它能释放出撼动人心的真挚情感和思想力量。Full River Red is a solid film with unique artistic characteristics and aesthetics, vivid characters, complex connotations, and presents the dialectics of comparison and contrast, making this film popular with the audience. Its distinct interactive and symbiotic concepts and richness of emotions highlight the primal richness and diversity of the “film with consciousness”. The film develops around the conceptual theme of Full River Red with constant plot twist, concentrating on the theme through a solid narrative, a concept of interaction and a structure that resembles a typical polyphony. It tells the story of trivial and ordinary characters in the context of the Central Plains being invaded by outsiders with the dialectics of comparison and contrast.

关 键 词：意识影片 互动观念 复数形式 第二自我 创作伦理 

分 类 号：J905[艺术—电影电视艺术]