万物尽然,以是相蕴——与蔡涛谈《无名》的摄影创作  

All Things Are as They Are, in Order to Be Contained: A Conversation with Cai Tao about the Cinematography of Hidden Blade

作　　者：刘娟[1] Liu Juan

机构地区：[1]北京电影学院

出　　处：《电影艺术》2023年第2期141-145,共5页Film Art

摘　　要：电影《无名》作为程耳导演第五部作品,以多线交错的叙事技巧、凝练细腻的影像风格和精巧锋利的视听手法,再度验证他在类型电影中的作者身份。在电影艺术性和商业性的平衡中,摄影指导蔡涛的影像创作需要充分搭建起导演个性化视觉风格和类型片市场期待之间的桥梁,试图以描绘令人信服的历史时空、捕捉细密生动的情感关系、创造过目不忘的人物形象,实现观者对故事文本的理解,并通过摄影机对物质世界的反复过滤提纯,达成导演在电影语言上的美学追求。Hidden Blade is the fifth film by director Cheng Er. With his multi-line interlaced narrative skills, concise and delicate visual style and exquisite and sharp audio-visual techniques, he has once again proved his authorship in genre film. In the process of balancing art and commercialism, director of photography Cai Tao’s visual creation needs to fully build a bridge between the director’s personalized visual style and the expectations of the genre film market. He tried to achieve the audience’s understanding of the story by depicting convincing historical time and space, capturing detailed and vivid emotional relationships, and creating unforgettable characters. Meanwhile,through the repeated filtering and purification of the material world by the film camera, he achieved the director’s aesthetic pursuit in film language.

关 键 词：提纯 互动 呼吸效应 形式感 非现实主义空间 

分 类 号：J931[艺术—电影电视艺术]