论21世纪中国文学批评的文体新变  

On the New Style Changes in Chinese Literary Criticism in the 21st Century

作　　者：何言宏[1] He Yanhong

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《中国文学批评》2023年第1期87-95,M0004,M0005,共11页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金重点项目“全球视野下二十一世纪中国诗歌的历史转型研究”(22AZW022)阶段性成果。

摘　　要：21世纪中国文学批评的文体新变,一方面表现在学院机制和学院批评之成为问题并且导致了诸多不满;另一方面表现为在批评文体上具有充分自觉的人们突破学院机制的壁垒和学院批评的文体束缚,面向古今中外批评文体的丰厚传统,坚持和接续20世纪八九十年代富有成效和影响力的对话体批评,充分开放和多样化地实践随笔体批评。这些新的批评实践不仅取得了许多值得重视的成果,也在一定程度上形成了“学院体批评”和“非学院体批评”的文体格局。In the 21st century,the new style of Chinese literary criticism,on the one hand,is reflectedin the problematic academic mechanism,academic criticism and the resulting severe dissatistacl tion.On the other hand.people with sufficient self-awareness of criticism stvle has shaken offthe barriers of academic mechanism and the stylistic constraints of academic criticism.With anl embrace of the rich traditions left by ancient and modern Chinese and foreign criticism,they ad-here to and resume the dialogic criticism that came into fruition and influenced the 1980s and the 1990s while practicing the essay-style criticism in a fully open and diverse manner.These new practices of criticism have not only achieved many remarkable outcomes,but also to a certain ex-tent formed a stylistic pattern where"academic criticism"and"non-academic criticism"coexist.

关 键 词：文学批评 批评文体 对话体批评 随笔体批评 

分 类 号：I206.7[文学—中国文学]