青白淡雅--论成化青花高士图纹饰风格成因  

Blue and White Elegant--Discussion on the Cause of the Decorative Style of Chenghua Blue and White Refined Scholars Painting

作　　者：王清丽 何鑫蕊 WANG Qingli;HE Xinrui(Jingdezhen Ceramic University,Jingdezhen 333403,China)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《中国陶瓷》2023年第3期109-116,共8页China Ceramics

基　　金：江西省双千计划首批培养类哲学社会科学领军人才(青年)项目(基金号jxsp2019203039)。

摘　　要：高士图自元始绘于瓷器上,至明成化年间已取得辉煌成就,传递着时代精神与审美风尚。本文以现存成化青花高士图纹饰史料文献以及出土实物为基础,结合传统隐士文化,总结出成化年间青花高士纹饰有着传统绘画构图、古法线条以及随形赋色的风格特征,并从传统色彩观的传承、青料的改变以及文人绘画的角度探讨其风格成因。The refined scholars painting on porcelain since Yuan Dynasty,to the Chenghua period in Ming Dy nasty has achieved brilliant achievements,conveying the spirit of The Times and aesthetic fashion.Based o n the existing Chenghua blue and white refined scholars decorative historical documents and unearthed por celain material,combined with the traditional hermit culture,this paper summarizes the style characteristics of the blue and white high scholar pattern decoration in Chenghua period,including traditional painting composition,ancient lines and color with shape,and discusses the causes of its style from the perspective of the inheritance of traditional color view,the change of green materials and literati painting.

关 键 词：明成化 隐士文化 青花 高士图纹饰 

分 类 号：J516[艺术—艺术设计]