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作 者:张鑫鑫 卢军[1] ZHANG Xin-xin;LU Jun(School of Literature,Liaocheng University,Liaocheng shandong 252059,China)
出 处:《山东青年政治学院学报》2023年第2期103-109,共7页Journal of Shandong Youth University of Political Science
基 金:国家社科基金项目“鲁迅回忆录整理与‘鲁迅’形象的建构研究”(20BZW182)。
摘 要:语象作为语言转换为图像的重要一环,以其感知性对插图者完成潜在召唤。鲁迅散文诗《秋夜》通过叙述者视角勾勒出一幅奇崛幽深的秋夜图,选取枣树和天空、小飞虫和灯罩两组对立意象,隐喻了北洋军阀的黑暗统治和启蒙知识分子之间的对抗,歌颂了不屈服于强权的文化战士的铮铮铁骨。刘岘、赵延年和裘沙、王伟君创作的《秋夜》插图及吴永良以《秋夜》为背景绘制的鲁迅肖像,表现了画家们对《秋夜》的独特理解和个性化阐释。As an important part of the conversion of language into image,verbal image completes the potential call to the illustrator with its perception.Lu Xun's prose poem Autumn Night outlines a strange and deep autumn night picture from the perspective of the narrator.It selects two groups of opposite images:jujube tree and sky,small flying insects and lampshade.It metaphorizes the confrontation between the dark rule of the Northern Warlords and the enlightenment intellectuals,and praises the iron bones of cultural fighters who do not succumb to power.The illustrations of Autumn Night created by Liu Xian,Zhao Yannian,Qiu Sha and Wang Weijun and the portrait of Lu Xun drawn by Wu Yongliang with Autumn Night as the background show the painters'unique understanding and personalized interpretation of Autumn Night.Through mutual interpretation,it helps to deepen the understanding of this polysemous text.
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