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作 者:陈俊杰 Chen Junjie
机构地区:[1]复旦大学古籍整理研究所(中国古代文学研究中心)
出 处:《理论界》2023年第1期102-109,共8页Theory Horizon
摘 要:贺铸常将心中之孤苦与“物是人非”意识融为一体进行创作。考察其《东山词》中的相关内容发现,“物是人非”的表现方式有四:“重游故地”的书写,“物”指草木、山河等,而“人”指美人或亲友;“旧屋、故院”的书写,“物”指房屋里的日常用品、庭院中的自然景致,而“人”常指妻子;“老年”的书写,“物”亦指自然之物,而“人”指作者本身;“回顾古人”的书写,“物”泛指某个地点,而“人”则指古人或历史人物。He Zhu, a poet in the Song Dynasty(960-1279), often composed ci(a type of lyric poetry) that expressed his loneliness and distress by integrating such feelings into the "contrast between unchanged things and changed people". Upon analyzing the contents of his Dongshan Ci, we can conclude that such an expression method featuring "contrast between unchanged things and changed people" is manifested in four categories of depictions: depiction of revisiting the hometown, in which "unchanged things" refer to grass, trees,mountains and rivers, and "changed people" refer to beauties, relatives, and friends;depiction of old houses or old academies, in which "unchanged things" refer to daily utensils indoors and natural scenery in the courtyard,and "changed people" often refer to the wife;depiction of old-age life, in which "unchanged things" refer to objects in nature, and "changed people" refer to the author himself;depiction of remembering the ancients, in which "unchanged things" refer to a certain locale, and "changed people" refer to ancient sages or historical figures.
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