“表演”的缺席:表演理论视角下的小说《百鸟朝凤》研究  

The Absence of“Performance”:An Interpretation of Song of the Phoenix from the Perspective of Performance Theory

作　　者：魏鹏翔 WEI Pengxiang(College of Liberal Arts,Guizhou Normal University,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《广西科技师范学院学报》2022年第6期45-51,共7页Journal of Guangxi Science & Technology Normal University

摘　　要：小说《百鸟朝凤》中的核心内容是唢呐和百鸟朝凤曲。文学人类学、民俗学领域兴起的表演理论对解读《百鸟朝凤》中唢呐和百鸟朝凤曲具有理论上的穿透力。在表演理论审视下,无双镇表演人对唢呐与曲子的丢弃、观众审美意识的缺席以及礼俗性乡村环境的丢失是唢呐、曲子以及所代表的传统文化陷入传承困境的重要原因。由此,传统文化的复兴需依赖人物的匠心坚守和多方助力。The core events in the novel Song of the Phoenix are suona and song of the phoenix.The performance theory emerging in the field of literary anthropology and folklore has theoretical penetrating power to interpret the two core events in Song of the Phoenix.Under the review of performance theory,the discarding of suona and tune by performers in Wushuang town,the absence of aesthetic consciousness of audience and the loss of traditional rural environment are the important reasons for the dilemma of inheritance of traditional culture represented by suona and tune.The revival of traditional culture depends on the persistence of characters and multiple support.

关 键 词：《百鸟朝凤》 表演理论 缺席 唢呐曲 

分 类 号：I206.7[文学—中国文学]