向内转:论黑塞中期小说创作转型  

Turning Inward:On the Transformation of Hesse’s Mid-term Novels

作　　者：陈丽华 CHEN Lihua(College of Chinese Language and Literature,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《广西科技师范学院学报》2022年第6期52-60,共9页Journal of Guangxi Science & Technology Normal University

摘　　要：第一次世界大战构成了黑塞文学创作上的分水岭,其中一个鲜明的特征就是他的创作思想呈现出“向内转”态势。与早期寄情田园山色和艺术王国的美好构想不同的是,黑塞中期创作走向了一条通向内心的朝圣之路。他以个人的主体感受和人生经历当作艺术实验,试图在生命对立的两极中寻求统一。出于现代文明的忧思,黑塞在内部世界与外部世界的张力中探索出一条坚定的“自我”道路,进而表明个体的精神独立性和生命存在性问题是现代人必须面对的重大问题。The First World War constituted the watershed of Hesse’s literary creation,one of the distinctive features is that his creative thoughts showed the trend of“turning inward”.Different from the beautiful conception of pastoral scenery and artistic kingdom in the early stage,Hesse’s creation in the middle stage turned into a pilgrimage to the heart.He tries to seek unity in the opposite poles of life by taking individual subject feelings and life experiences as artistic experiments.Out of the concern of modern civilization,Hesse found a firm way of“self”in the tension between the inner world and the outer world and then showed that the individual’s spiritual independence and the existence of life are important problems that modern people must face.

关 键 词：黑塞 向内转 自我意志 心灵困境 诗化生存 

分 类 号：I106.3[文学—世界文学]