刍议时装设计中的“Y2K美学”风格特征研究  

On “Y2K Aesthetics” in Fashion Design

作　　者：李佳雨 李立立[1] Li Jiayu;Li Lili(School of Fine Arts and Art Design,Qiqihar University,Qiqihar 161000,China)

机构地区：[1]齐齐哈尔大学美术与艺术设计学院,黑龙江齐齐哈尔161000

出　　处：《皮革制作与环保科技》2023年第4期28-30,共3页Leather Manufacture and Environmental Technology

基　　金：齐齐哈尔大学教育科学研究项目(GJQTYB202141);齐齐哈尔大学学位与研究生教育教学改革研究项目(JGXMQUG-2020006);黑龙江省属本科高校基本科研业务费科研创新平台项目(145109334)。

摘　　要：千禧年之际出现的具有前卫科技感和对未来美好幻想的“Y2K美学”的重现,不仅符合了时装设计的周期性回潮,也与时下疫情的社会背景相呼应—20多年前千年虫计算机bug也同样带给人们恐慌与焦虑的情绪。本文通过对“Y2K美学”时装设计进行研究,分析其美学风格特征,以期帮助人们了解“Y2K美学”,为“Y2K美学”的发展作出贡献。The reappearance of “Y2K Aesthetics” with avant-garde sense of technology and fantasy of the future at the turn of the millennium not only conforms to the cyclical return of fashion design, but also echoes the social background of the current epidemic—the bug of the millennium bug computer more than 20 years ago also brings people panic and anxiety. This paper studies the fashion design of “Y2K Aesthetics”, analyzes its aesthetic style characteristics, in order to help people understand “Y2K Aesthetics” and make contributions to the development of “Y2K Aesthetics”.

关 键 词：时装设计 Y2K美学 风格研究 

分 类 号：TS5[轻工技术与工程—皮革化学与工程]