“附魅”“祛魅”与“返魅”:《潘先生》的上海女性跨文化书写  

Transcultural Representation of Shanghai Women in Mr.Pan

作　　者：陈兰薰 Chen Lanxun

机构地区：[1]西安外国语大学中国语言文学学院

出　　处：《英美文学研究论丛》2022年第2期213-222,共10页English and American Literary Studies

摘　　要：《潘先生》是20世纪美国犹太裔女作家项美丽以邵洵美家族为原型创作的一部短篇小说集,从跨文化视角塑造了众多上海女性形象。本文认为,该作品的上海女性书写具有“附魅”“祛魅”与“返魅”三种形态。具体而言,上海底层女性形象充满异国情调,以“附魅”的形式出现;上海传统女性形象体现了一定的文化自觉,呈现“祛魅”化的趋势;上海现代女性回归于新的浪漫想象,流淌出“返魅”的韵味。上海女性书写如此纷繁复杂,与叙述者的文化心理和女作家的文化身份密切相关。Mr.Pan is a collection of short stories written by Emily Hahn,an American Jewish female writer in the 20th century,based on Shao Xunmei family.It creates many Shanghai women's images from a cross-cultural perspective.In this paper I argue that the writing of Shanghai women in this work has forms of"Enchantment,""Disenchantment"and"Reenchantment."Specifically,the female images at the bottom of Shanghai are full of exotic flavor and appear in the form of"Enchantment;"the traditional female images in Shanghai reflect certain cultural consciousness and show the trend of"Disenchantment;"modern women images in Shanghaire turn tone wromantic imagination with the tendency of"Reenchantment."The complexity of writing females in Shanghai is closely related to the narrator's cultural psychology and the cultural identity of female writers.

关 键 词：“附魅” “祛魅” “返魅” 项美丽 《潘先生》 上海女性 

分 类 号：I712.074[文学—其他各国文学]