李白诗文园林文化空间的建构与续构  

Construction and Continuation of the Cultural Space in Li Bai's Poetry and Prose

作　　者：李小奇 LI Xiao-qi(College of Literature,Shangluo University,Shangluo,Shaanxi,726000)

机构地区：[1]商洛学院,陕西商洛726000

出　　处：《新疆大学学报（哲学社会科学版）》2023年第1期122-129,共8页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：国家社会科学基金后期资助项目“唐宋园林散文研究”(19FZWB045);国家社会科学基金重大项目“中国古代园林文学文献整理与研究”(18ZDA240)。

摘　　要：唐代园林发展兴盛,文人园林书写将园林体验转化为文本建构的园林审美空间成为文学中的蔚然景观。李白一生游历园林众多,书写的园林诗文营构出富有李白个性色彩的审美空间、精神空间、情谊空间。李白的诗文影响了后世的园林建构实践,在后世的园林题咏中不断被书写,其诗文意境不断被后世的园林绘画、音乐艺术再现续构出新的物质园林空间、文本空间和画本乐本空间,从而形成具有李白烙印的多重艺术空间,藉此可透视、考察李白及其诗文的多维文化价值。The Tang Dynasty saw a prosperous development of gardens,and a magnificent landscape in literature therefore emerged that a garden aesthetics evolved from the garden experiences in the writings on gardens.Li Bai,in particular,visited many gardens in his life,and his poems on gardens constructed his personal aesthetic space,spiritual space and friendship space.His poems and essays influenced the later comers whose literary practices carried on his traditions.The construction of garden aesthetics was repeated in later garden drawings and music,which was in the newer forms of garden,text,drawing and art spaces,as represented in the poems and essays.A multi-dimensional art space with Li Bai's brand thus formed.In line of this thought,the multi-dimensional cultural value of Li Bai and his poems can be fully examined.

关 键 词：李白诗文 园林文化空间 建构 续构 艺术空间 

分 类 号：I207[文学—中国文学]