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作 者:常江 王雅韵 CHANG Jiang;WANG Ya-yun
出 处:《新闻大学》2023年第1期16-27,118,119,共14页Journalism Research
基 金:国家社科基金重大项目“数字新闻学理论、方法与实践研究”(20&ZD318);深圳市人文社会科学重点研究基地成果。
摘 要:文章从主流新闻认识论中“信息模式”和“故事模式”的关系出发,探讨“故事化”作为一种生产理念和实践模式在新闻业的演进中扮演的角色。文章认为,新闻的故事化包括三方面的基本内涵:讲故事是信息和价值传递的一般性实践;新闻生产的基本目标是与受众(用户)建立更紧密的关系;新闻业应当致力于形成一种介入性的专业文化。通过对“新新闻主义”与“非虚构”潮流的回顾,文章进一步阐述故事化在其作为另类新闻实践的发展过程中成为新闻业应对行业危机的变革性力量的历史逻辑,进而提出数字时代的到来决定了故事化将成为新闻生产的主流趋势。This paper starts from the relationship between "information mode" and "story mode" in mainstream journalistic epistemology and discusses the role of storytelling as a production concept and practice model in the evolution of journalism based on historical experiences. This paper argues that the idea of news storytelling includes three basic connotations: storytelling is a general practice of information and value delivery;the basic goal of news production is to build a closer relationship with audiences(users);journalism should strive to form an interventionist professional culture. By reviewing the trends of New Journalism and nonfiction, this article further elaborates on the historical logic of how storytelling has become a transformative force in journalism’s response to industry crises in its development as an alternative journalism practice. This paper further proposes that the inception of the digital age forebodes that storytelling has become the mainstream trend of news production and calls on the academic community to carry out exploration and research on explanatory and normative theories.
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