浅谈黄宾虹山水画积墨法中的美学理念  

On the Aesthetic Idea of Huang Binhong's Ink Accumulation Method in Landscape Painting

作　　者：钱帅东 QIAN Shuaidong(Inner Mongolia Normal University,Hohehot Municipality 011517,China)

机构地区：[1]内蒙古师范大学,内蒙古呼和浩特011517

出　　处：《鞋类工艺与设计》2023年第6期94-96,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：山水画是中国三大传统画种之一,与中华传统文化中的儒、道思想联系紧密。黄宾虹的山水画与中国文人画一脉相承,黄宾虹的绘画在技法上继承了传统山水画的皴法、墨法及笔法,又结合近代西方绘画丰富了山水画的表现手段;在精神上既有着传统山水绘画的自然观及天地观,又与黄宾虹所处时代及生活经历相联系,强调绘画的创新并要注重中国绘画自身的精神内涵。本文从黄宾虹的山水画积墨法出发来了解黄宾虹的绘画特点及画中蕴含的美学理念,通过其他时候画家的山水画及积墨法来理解黄宾虹之积墨法的由来及变化之处。Landscape painting is one of the three traditional types of painting in China,which is closely related to Confucianism and Taoism in traditional Chinese culture.Huang Binhong's landscape paintings are in line with Chinese literati painting,ink and brushwork of traditional landscape painting,combined with modern Western painting to enrich the expression of landscape painting.He has the view of nature and heaven and earth of traditional landscape painting,and connected with his time and life experience,emphasizing the innovation of painting and the spiritual connotation of Chinese painting itself.This paper starts from Huang Binhong's landscape painting ink method to understand his painting characteristics and the aesthetic ideas contained in the painting,and understands the origin and change of Huang Binhong's ink method through the landscape painting and ink method of other times.

关 键 词：黄宾虹 山水画 积墨法 美学理念 

分 类 号：J212[艺术—美术]