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作 者:杨铭硕 YANG Mingshuo
出 处:《上海师范大学学报(哲学社会科学版)》2023年第2期77-84,共8页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
摘 要:古典小说名著《红楼梦》不仅塑造了一批形象鲜明的文学艺术形象,还浓墨重彩地描写了一系列贵族青年男女自发组织的精神文化活动,其中尤为引人注意的是大观园内的几次诗社。在第三十八回的菊花社中,“潇湘妃子”林黛玉凭借《问菊》《咏菊》《菊梦》三首诗被公推为菊花诗魁。这三首诗不仅是林黛玉杰出诗才的突出反映,更融入她个人的幽微情感和隐曲心思。黛玉的形象气质与“菊花”意象的文化内涵关系密切,通过赞美菊花的生命、歌颂菊花的精神,反映出强烈的自我生命意识。诗中巧借陶渊明称许的“千古高风”,抒写了菊花“孤标傲世”的风骨节操。林黛玉菊花诗的创作过程符合中国传统文艺美学的审美方式,反映了凝神静观、物我两忘的独特审美观照。The classical novel A Dream of Red Mansions not only creates a number of distinctive literary and artistic images,but also describes in great detail a series of spiritual and cultural activities organized by the young men and women of the nobility,among which the poetry festivals in the Da Guan Yuan are particularly noteworthy.In the thirty-eighth chapter of chrysanthemum poetry festival in this novel,Lin Daiyu was publicly recommended as chrysanthemum poetry champion by virtue of her three po⁃ems“Asking Chrysanthemum”,“Chanting Chrysanthemum”and“Chrysanthemum Dream”.These three poems are not only a prominent reflection of Lin Daiyu’s outstanding poetic talent,but also incorporate her personal subtle emotions and hidden thoughts.Daiyu’s image and temperament are closely related to the cultural connotation of the image of“chrysanthemum”,which reflects a strong sense of self-life by celebrating the life and spirit of chrysanthemum.The poems also skillfully paraphrase the“noble conduct through the ages”praised by Tao Yuanming to express the chrysanthemum’s character and integrity.The creation process of Lin Daiyu’s chrysanthemum poems conforms to the aesthetic way of Chinese traditional literary aesthetics,and reflects the unique aesthetic view of concentration,contemplation and forgetting.
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