上海“孤岛”时期鸳鸯蝴蝶派与左翼的文学互动  

Literature Interaction Between Mandarin Ducks and Butterflies School and The Left-Wing During Shanghai "GuDao" Period

作　　者：贾胜美 JIA Shengmei(School of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610000,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610000

出　　处：《宜宾学院学报》2023年第3期82-92,共11页Journal of Yibin University

摘　　要：1937年11月上海租界形成“孤岛”,以鸳鸯蝴蝶派为代表的通俗文学成为“孤岛”文坛上的重要力量。因为面对抗战现实所持有的态度不同,鸳鸯蝴蝶派此时的创作姿态分化成以包天笑为代表的抗战立场及以周瘦鹃为代表的消闲取向。包天笑的战时书写具有区别于左翼文学的“后方”特征,周瘦鹃们的消闲取向是体验“孤岛”情绪后所采取的与左翼不同的生活态度。鸳蝴与左翼的合作、对立、互渗是上海“孤岛”时期独特文化空间内的特殊产物,同时也展现了“孤岛”文学复杂的创作机制与生态环境。In November 1937, the Shanghai Concession formed a “Gudao”, and popular literature represented by the Mandarin Ducks and Butterflies School became an important force in the“Gudao”literary circle. Because of the different attitudes held in the face of the reality of the confrontation war, the creative posture of the Mandarin Ducks and Butterflies School at that time was divided into the anti-war stance represented by Bao Tianxiao and the leisure orientation represented by Zhou Shoujuan. Bao Tianxiao’s wartime writing has the characteristics of “rear” that is different from left-wing literature, and Zhou’s leisure orientation is the attitude of life adopted after experiencing the “Gudao” mood. The cooperation, antagonism and interpenetration between Mandarin Ducks and Butterflies School and the left wing are special products of the unique cultural space of Shanghai “GuDao” period, and also show the complex creative mechanism and ecological environment of “Gudao” literature.

关 键 词：上海“孤岛” 鸳鸯蝴蝶派 左翼 互动 

分 类 号：I206.6[文学—中国文学]