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作 者:陈海红[1] Chen Haihong(Philosophy Department,The Party School of Zhejiang Provincial Committee of C.P.C,Hangzhou 311121)
机构地区:[1]中共浙江省委党校哲学教研部,杭州311121
出 处:《浙江社会科学》2023年第4期119-127,160,共10页Zhejiang Social Sciences
基 金:浙江文化研究工程重大项目“浙江工匠精神研究”(21WH70077ZD)子课题“浙江铸剑工匠与工匠精神研究”之阶段性成果。
摘 要:作为区域性的文化符号,春秋越剑凝聚了千百年来越人深厚的人文历史与丰富的生活意涵。在与外部世界的冲突和合中,越人不断于锻打中求坚韧、于淬火中求刚劲、于磨砺中求锋利、于明灭中求华美,将自己对于生活的理解、人生的期盼灌注到以越王勾践剑为标识的精神源头之上。这一区域性的越人铸剑之路,体现着于继承中求创新、于规则处求自由、于平淡处求高明、于琐碎处求超越的形上生命追求,孕育出了千千万万个自觉为“越人”的浙江人。在迈进民族历史新时代的历程中,我们需要继续挖掘、弘扬沉潜在越王剑中的越人精神,以塑造更加富于创造性的浙江品格。As a regional cultural symbol,the Chun Qiu Yue Sword embodies the profound human history and rich life meaning of Yue people for thousands of years.In the conflict and cooperation with the world,the Yue people are constantly seeking tenacity in forging,strength in quenching,sharpness in sharpening,and magnificence in disillusionment,they infused their understanding and expectation of life into the spiritual source marked by Sword of Goujian.This regional way of forging swords by Yue people reflects the metaphysical life pursuit of innovation in inheritance,freedom in rules,sophistication in insipidity,and transcendence in trivial matters,which has bred thousands of Zhejiang people who think of themselves as“Yue people”.In the new era of national history,we need to continue to excavate and carry forward the spirit of the Yue people who are immersed in the Sword of King Goujianof Yue,so as to shape a more creative character of Zhejiang.
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