西藏阿里札达县夏石窟甬道生死轮回图考  

A Study on the Image of Bhavacakra on the Western Wall of the Corridor in Zhag Cave in rTsa mDa',mNga'Ris,Tibet

作　　者：骆如菲 LUO Rufei(School of History,Zhejiang University,Hangzhou,Zhejiang 310028)

机构地区：[1]浙江大学历史学院,浙江杭州310028

出　　处：《敦煌研究》2022年第6期35-48,共14页Dunhuang Research

基　　金：国家社科基金重大项目“文物遗存、图像、文本与西藏艺术史构建”(15ZDB120);国家社科基金重大项目“犍陀罗与中国文明交流史(多卷本)”(20&ZD220)。

摘　　要：约11—12世纪的西藏阿里地区札达县夏石窟甬道西侧生死轮回图壁画为我国西藏目前所见最早的生死轮回图个案,是藏传佛教后弘期初期西藏西部佛教石窟融汇西部喜马拉雅本土图像体系与敦煌汉地图像系统的一个重要见证。本文是此生死轮回图的个案研究,将分析图像与藏汉文佛教文献的关系,同时探索图像粉本的来源与流传脉络,并探讨生死轮回图的相关图像配置及其意涵。The image of Bhavacakra on the western wall of the corridor of Zhag Cave,which was constructed in the 1lth-12th century in rTsa mDa',mNga'Ris,Tibet,is the earliest image of Bhavacakra found in Tibet,China.As such,this painting is an important witness to the appearance of Buddhist cave temples in western Tibet in which the local iconography of western Himalayan culture and the iconographical system of Dunhuang dominated by Han Chinese began to be integrated after a missionary period in the history of Tibetan Buddhism.This paper presents a case study of the image of Bhavacakra,analyzes the relationship between the symbols it contains and relevant Han Chinese and Tibetan Buddhist scriptures,explores the origin and dissemination routes of its iconography,and discusses the structure and meaning of its iconography.

关 键 词：夏石窟 生死轮回图 毗奈耶 筒车 

分 类 号：K879.29[历史地理—考古学及博物馆学]