唐代的筷子与唐诗里的玉箸意象  

Chopsticks of the Tang Dynasty and the Image of Jade Chopsticks in Tang Poetry

作　　者：杨雅茜 Yang Yaxi(School of Literature,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《黑河学院学报》2023年第3期153-156,共4页Journal of Heihe University

摘　　要：唐代是玉箸意象的繁荣鼎盛时期,唐诗中的筷箸意象不仅限于表达本义,并且稳定成为以美人泪象征闺怨的象征性意象,在闺怨诗中频繁出现。对魏晋南北朝至清代所出现的玉箸意象进行语料检索,可以明晰玉箸意象的历史发展变化,从而厘清唐诗中不同题材的玉箸意象表达的意蕴。通过分析唐代诗人对玉箸意象的书写,解读其意象艺术的演化轨迹和经验成果,可挖掘玉箸意象在边塞诗、闺怨诗、咏怀诗中所发挥的不同作用,以及由此产生的韵味无穷的艺术魅力。Tang Dynasty is viewed as a flourishing period of jade imagery.The imagery of jade chopsticks in the Tang poetry,which doesn’t get limited to expressing the original meaning,has evolved to a symbolic image that symbolizes grievances in the beauty’s tears,and frequently appear in boudoir resentment poems.By retrieving the imagery of jade chopsticks appearing in the Chinese poems during Wei-Jin and the southern and northern dynasties to Qing dynasty,this paper makes a research on the development and evolution history of the image,clarify the implication of the different themes contained in the image in Tang poetry,analyzes the image narrated by poets in the Tang Dynasty,interprets its evolution track and experience achievement,explores different roles played by the image in the frontier fortress poetry,boudoir-plaint poetry and intone poems,and excavates the infinite charms made by the image of jade chopsticks.

关 键 词：唐诗 玉箸 玉筋 闺怨诗 泪意象 

分 类 号：K892.2[历史地理—民俗学] I207[历史地理—历史学]