监狱中的复仇风暴:《女巫的子孙》中狂欢化特征探究  

The Revenge Tempest in the Prison:An Exploration of Carnivalesque Features in Hag-Seed

作　　者：吴琳[1] 杨雨[1] WU Lin;YANG Yu(Central South University,Changsha,Hunan,China,410083)

机构地区：[1]中南大学外国语学院,湖南长沙410083

出　　处：《广东开放大学学报》2023年第1期68-73,共6页JOURNAL OF GUANGDONG OPEN UNIVERSITY

基　　金：湖南省社科基金项目“20世纪之交美国女性小说中消费文化研究”(17YBA416)的阶段性研究成果。

摘　　要：玛格丽特·阿特伍德的小说《女巫的子孙》通过渗透在文本中的狂欢仪式、狂欢化场景和狂欢精神呈现出鲜明的狂欢化特征。小说中的主要人物菲利克斯和托尼的命运经历与脱冕加冕的狂欢仪式高度契合,小说中故事情节发展的重要场所弗莱彻监狱是一处充斥着浓厚的狂欢化色彩的场景,而小说隐含的狂欢精神,即狂欢节及其仪式中蕴含的颠覆与更新、摧毁与重构精神,则通过监狱囚犯和托尼等人演绎现实版莎剧《暴风雨》的过程来展现。《女巫的子孙》体现出的狂欢化特征反映了作者阿特伍德对官方等级秩序及主流话语的批判和颠覆,以及对边缘群体生存状态的观照。The novel Hag-Seed by Margaret Atwood manifests distinct carnivalesque features through the carnival rituals,carnivalesque scene,and carnival spirits that permeate the text.The ups and downs of fate of the main characters,Felix and Tony;is highly consistent with the carnival rituals of crowning and uncrowning.Fletcher Prison,the key place where the story in the novel unfolds,is a scene imbued with carnivalesque overtones.And the carnival spirit implied in the novel,that is,the spirit of subversion and renewal,destruction and reconstruction embedded in the carnival and its rituals is shown through the process of the prison inmates,Tony and others?retelling of Shakespeare's play The Tempest.These carnivalesque features presented m Hag-Seed reflect Atwood5s critique and subversion of established hierarchies and mainstream discourse,and her concern about living condition of marginalized groups.

关 键 词：玛格丽特·阿特伍德 《女巫的子孙》 狂欢化特征 

分 类 号：I106.4[文学—世界文学]