形式表现之外的蓬皮杜艺术中心再解读  

Re-Interpretation on Pompidou Art Center Beyond Formal Expression

作　　者：魏少斐 Wei Shaofei

机构地区：[1]长安大学建筑学院

出　　处：《城市建筑》2023年第6期97-99,共3页Urbanism and Architecture

摘　　要：工业革命后技术飞速发展,带动了媒体与影像的扩张,使得建筑艺术越来越成为单一的视觉艺术表现,脱离其真实与意义的形式语汇,但这些已经成为阻碍建筑艺术进步的一大瓶颈。文章以蓬皮杜艺术中心为例,从信息交换、机械化与符号化、拟像序列的视觉影像三个角度,论述蓬皮杜中心如何在建筑形式表现之外的领域进行建筑艺术的自我表达,反纪念碑式地建立一场文化“内爆”,成为一场由人群、信息与符号交织的大型艺术展示,并为信息化与拟像化程度更甚的当代建筑艺术表现提供新的思路。Since the industrial revolution,the rapid development of technology has led to the expansion of media and images,making architectural art more and more a single visual art expression,divorced from its formal vocabulary of truth and meaning,which have become a major bottleneck impeding the progress of architectural art.Taking Pompidou Art Center as an example,this paper discusses how Pompidou Art Center has carried out selfexpression of architectural art in areas other than architectural form expression from three perspectives of information exchange,mechanization and symbolization,and visual images of simulacrum sequence,and has established a cultural“implosion”in a countermemorial manner,becoming a large-scale art exhibition intertwined with people,information and symbols.The paper also provides new ideas for the contemporary architectural art expression with a higher degree of informatization and simulacrum.

关 键 词：蓬皮杜中心 信息交换 符号化 拟像 

分 类 号：TU242[建筑科学—建筑设计及理论]