于坚诗歌“后退”策略的审美现代性解读  

An Aesthetic Modernity Interpretation of the"Retreat"Strategy in Yu Jian's Poems

作　　者：黄迈 HUANG Mai(College of Literature,Yunnan Normal University,Kunming Yunnan 650500,China)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《顺德职业技术学院学报》2023年第1期84-90,共7页Journal of Shunde Polytechnic

基　　金：云南师范大学研究生科研创新基金项目(YJSJJ22-B09)。

摘　　要：于坚称自己为“后退的诗人”,他在诗歌理论的建构以及诗歌创作中实践了从“天空”向“大地”后退,从“彼岸”向“此岸”后退,从“先锋”向“传统”后退的诗歌策略。从审美现代性的理论视域分别对其进行解读可以看出于坚诗歌对现代性的反思,于坚诗歌的审美救赎以及审美现代性的自反性。正如审美现代性是对现代性的补弊,于坚的“后退”策略在本质上是对当代诗歌的“现代性”一种纠偏,这是其对于当代诗歌发展的独特意义之所在。Yu Jian avowed himself a"retreating poet".In the construction of poetry theory and creation of poems,he practiced the poetic strategy of retreating from"sky"to"earth",from"other shore"to"this shore",and from"vanguard"to"tradition".From the theoretical perspective of aesthetic modernity,his reflection on modernity,his aesthetic redemption and the reflexivity of aesthetic modernity could be seen.Just as aesthetic modernity is a remedy for modernity,Yu Jian's"retreat"strategy is essentially a correction of the"modernity"of contemporary poetry,which is its unique significance for the development of contemporary poetry.

关 键 词：于坚 后退 审美现代性 

分 类 号：I207[文学—中国文学]