慰劳信运动视域中的《慰劳信集》  

Collection of Consolation Letters from the Perspective of the Campaign of Consolation Letters

作　　者：邱悦 QIU Yue(School of Chinese Language and Literature,South China Normal University,Guangzhou 510006,China)

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《苏州教育学院学报》2023年第1期85-92,共8页Journal of Suzhou College of Education

摘　　要：在“慰劳信运动”风潮的感召下,卞之琳于1938—1939年陆续创作了20首“慰劳信”体诗歌,合为《慰劳信集》。从原始报刊爬梳慰劳信运动的大致过程和整体景象,可见慰劳信运动对《慰劳信集》的形式和内容产生的深刻影响:运动过程的真实场景、各阶层的意识觉醒被纳入写作题材;在慰劳信运动大众化思潮的影响下,卞之琳在择取口语词、方言词和农业意象入诗的同时,依然坚守抗战前诗歌写作的“纯诗”逻辑和形式自律,为抗战诗提供另类风格;卞之琳延续1930年代“小处敏感”的诗艺,从日常生活点滴窥见西北、华北地区新气象。Inspired by a wave of the Campaign of Consolation Letters,Bian Zhilin wrote 20 poems successively in a style of consolation letter from 1938 to 1939,which were published as Collection of Consolation Letters.Sorting out the general process and the overall picture of the Campaign of Consolation Letters from original newspapers and periodicals and adopting the research method of social history,this paper draws a conclusion that the Campaign of Consolation Letters has a profound impact on the form and content of Collection of Consolation Letters.Firstly,the real scenes of the campaign and the consciousness raising of all walks of life were included in subject matters.Secondly,influenced by the trend of thought of popularization in the campaign,Bian Zhilin put oral words,dialectal words and agricultural images into his poems.However,at the same time,he stuck to the logic of“Pure Poetry”and the self-discipline of the poetic form as before the Anti-Japanese War,and consequently provided a unique style of Anti-Japanese War poetry.Last but not the least,Bian Zhilin insisted on being sensitive to details as in the 1930s.Therefore,his description of daily life reveals the new atmosphere of the North and Northwest China.

关 键 词：卞之琳 慰劳信运动 《慰劳信集》 大众化 抗战诗歌 

分 类 号：I206.6[文学—中国文学]