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作 者:彭长歆[1,2] 姜琦 PENG Changxin;JIANG Qi
机构地区:[1]华南理工大学建筑学院 [2]华南理工大学亚热带建筑科学国家重点实验室
出 处:《南方建筑》2023年第3期90-99,共10页South Architecture
基 金:国家自然科学基金资助项目(51978271):基于二维历史图像三维重建的清末岭南私园空间形态与构成规律研究。
摘 要:海山仙馆系晚清广州富商潘仕成所建私园。作为清末岭南园林发展盛期的典型代表,海山仙馆与奢华的行商花园保持着相当大的距离。以潘的交往游历为基础,考察园主的造园意志和日常生活,尝试廓清海山仙馆的源流变迁与空间布局,并对主要园林建筑进行空间溯源。海山仙馆的空间格局源于明清广州城西围垦造田形成的果基鱼塘,经由唐荔园的早期私园化,实现从农业生产景观到岭南名园的转变。潘借鉴蓬莱神话衍生的园林模式,顺应基塘围合并联的分布特征,将其与日常生活相结合,使海山仙馆具备了雅集、贮藏等诸多功能,并发展出相应的空间系统。As a typical representative of Lingnan gardens established in the late Qing Dynasty,Pun Tin Qua's garden in Liwan,Guangzhou was built by Pun Tin Qua,a wealthy businessman,but it disappeared in the late 19th century.The site of Pun Tin Qua's Garden is now a part of Liwan Lake Park in Guangzhou.Based on social communications and the traveling experiences of Pun Tin Qua,this study investigated construction intention,interest of the garden,and knowledge source from a synchronic perspective,aiming to clarify the origin,evolution,and construction mechanism of Pun Tin Qua's garden.The spatial evolution of the Xiguan Liwan area in the historical map of Canton was analyzed through a hierarchical superposition method.The spatial structure and construction mechanism of Pun Tin Qua's garden and its predecessor(Tangli Yuan)were traced in combination with the historical painting Tang Li Yuan Tu by Chen Wuzi in the late Qing Dynasty.This study attempted to complete a restoration of the plane of Pun Tin Qua's garden in its heyday and analyze its spatial layout and daily life based on the paintings of Xia Luan,pictures taken by Chinese and Western photographers,and associated historical materials in Chinese and foreign languages.It was found that Pun Tin Qua's garden presented a unique spatial production mode and construction process under the background of Chinese-Western style integration and the rapid development of merchant's gardens in Guangzhou in the 19th century.Its construction style was integrated with the agricultural landscape of Liwan in Canton during the Ming and Qing Dynasties.A unique spatial pattern which used fruit-based ponds as a foundation and a Penglai-style environment was reconstructed.On the one hand,Pun Tin Qua's garden inherited the profound influence of the reclamation of farmland in Lingnan since the Ming and Qing Dynasties,and continued the spatial pattern of water and land of Tangliyuan and the agricultural landscape characteristics of fruit-based ponds.On the other hand,Pun Tin Qua's early experien
分 类 号:TU986.2[建筑科学—城市规划与设计]
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