田汉早期话剧空间意象的开放性  

The Openness of Spatial Images in Tianhan's Early Dramas

作　　者：朱铠莹 ZHU Kai-ying(College of Arts,Anhui Normal University,Wuhu Anhui 241000)

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《牡丹江大学学报》2023年第3期62-69,共8页Journal of Mudanjiang University

基　　金：安徽省哲学社会科学规划项目“中国现代戏剧批评发生史(1907-1937)”(编号:AHSKF2021D51)。

摘　　要：田汉早期话剧的抒情性特质,与剧中多次出现的空间意象有着密切联系。从其创作出发,其空间意象大体可分为自然空间意象、公共空间意象与家庭空间意象。在将空间意象作为话剧背景以及抒情写志的必要条件之外,田汉独到之处在于其早期话剧空间意象建立于物理与精神维度基础之上的开放性。The lyric characteristics of Tianhan's early dramas are closely related to the spatial images that appear many times in the dramas.Starting from his creation,his spatial image can be divided into natural spatial image,public spatial image and family spatial image.In addition to taking the spatial image as the necessary condition for the dramas background and lyrical writing,Tianhan's uniqueness lies in the openness of his early dramas spatial image based on the physical and spiritual dimensions.

关 键 词：田汉 早期话剧 空间意象 开放性 

分 类 号：I206[文学—中国文学]