余真诗歌的多重主题及其艺术传达——以诗集《小叶榕》为个案  

Yu Zhen’s Ficus Microcarpa:Multiple Themes and Artistic Conveyance

作　　者：涂慧琴 Tu Huiqin(School of Foreign Languages,Hubei University of Technology,Wuhan,Hubei,430068)

机构地区：[1]湖北工业大学外国语学院,湖北武汉430068

出　　处：《语文学刊》2023年第1期85-91,共7页Journal of Language and Literature Studies

基　　金：国家社科基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917-1949)”(16ZDA240);湖北工业大学博士科研启动基金项目“华兹华斯在中国的译介和接受研究(1917-1949)”(BSQD2020101)阶段性研究成果。

摘　　要：在其第一本诗集《小叶榕》中,余真从女性的视角来审视死亡、自然、亲情和爱情等问题,认为死亡是新生命的孕育者、自然是对生命之爱的一种体验、亲情缺失使人感到焦虑、爱情使现代人饱受精神和肉体伤痛。对死亡和爱情,她并非只是通过个人经历来获得经验,而是更加注重运用丰富的想象力来不停地追问和探寻;对自然和亲情,她全身心地投入其中,并以回忆的方式重现自然风物及构建自己的家庭身份,体现她对自然、自我和生命的探究。In her Ficus Microcarpa, Yu Zhen examines death, nature, family affection and love from a female perspective. She believes that death is a stage to bear new life and nature a kind of experience of love for life. She also argues that the lack of family affection makes people feel anxious, and love makes modern people full of spiritual and physical pains. She would rather make full use of imagination than experience in person to constantly think over death and love. She devotes herself to nature and family affection, and reproduces natural scenery and constructs her own family identity by means of memory. Her poems reflect her exploration of nature, self and life.

关 键 词：余真 《小叶榕》 主题 艺术传达 

分 类 号：I206.7[文学—中国文学]