20世纪初时尚插画的色彩转向——以《时尚风赏》为例  

The Color Paradigm Shift in The Early 20th-Century Fashion Plate--Taking La Gazette du Bon Ton as an Example

作　　者：莫绮莹 Mo Qiying(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《流行色》2023年第2期102-104,共3页Fashion Color

摘　　要：《时尚风赏》是一本出版于1912年巴黎的时尚杂志,但它对自身的定位似乎更接近艺术杂志,因为对于创作团体来说,时尚,是一种新艺术形式,一本关于时尚的杂志,即一本关于艺术的杂志。杂志深受当时俄罗斯芭蕾舞团的东方主义元素和现代艺术的影响,各种形式的新尝试为日后几十年间的时尚杂志定下了基调,出彩的时尚插画是它成为杂志楷模的原因之一。本文试图梳理了20世纪时尚插画色彩转向的缘由,管中窥豹时尚插画乃至今日之时尚杂志的由来。La Gazette du Bon Ton was a fashion magazine published in Paris in 1912,but it seems to have positioned itself closer to an art magazine,for the creative community,fashion was a new art form,a magazine about fashion,that is,a magazine about art.The magazine which is the fresh experimentation with various forms that set the tone for fashion magazines for decades to come was heavily influenced by both the orientalism of the Ballets Russes of the time and modern art,as well as brilliant fashion plate are one of the reasons why it became a model magazine.This article attempts to review the reasons for the color shift in fashion plate in the 20th century in addition to providing a glimpse into the origins of fashion plate and even today's fashion magazines.

关 键 词：时尚风赏 时尚插画 吕西安 模板印刷[Pochoir] 俄罗斯芭蕾舞团 

分 类 号：J21[艺术—美术]