唐代权贵阶层审美旨趣中的“红配绿”  

“Red with Green”in the Aesthetic Taste of the Powerful Class in the Tang Dynasty

作　　者：于思思 Yu Sisi(School of Design,China Academy of Art)

机构地区：[1]中国美术学院设计艺术学院

出　　处：《流行色》2023年第2期105-108,共4页Fashion Color

摘　　要：厚葬风俗伴随佛道两教在唐代的兴盛迅速发展,皇亲贵戚鸠工造陵、广建庙宇。墓室明器象征着唐人对今生所得的呈现与来世所盼的预卜,而供奉神祇则象征唐人对安乐生活的祈望与对多舛命运的阻遏。因此,墓葬文化及宗教信仰更多地承担起世人对现实生活的艺术化重现和对理想世界的世俗化表达之功用。文章以唐墓出土明器中的女性形象及初、盛及晚唐时期敦煌石窟中的神祇造型为主要分析对象,探寻唐代权贵阶层服饰文化之中切实存在之“红配绿”的审美旨趣。The custom of extravagant funerals prospers accompanied the rapid development of Buddhism and Taoism in the Tang Dynasty.Mausoleums and temples have been built widely by the royal family and nobles.The funerary objects symbolized the presentation of the Tang people's present life and the foreshadowing of the afterlife,while to worship the gods symbolizes the Tang people's wish for a happy life and the restraint of the troubled fate.Therefore,the funetral customs and religious beliefs are more responsible for the artistic reproduction of the real life and the secularized expression of the ideal world.The article takes the female images in the funerary objects from the Tang tombs and the deities modeling in Dunhuang Grottoes in the early,flourishing and late period of Tang Dynasty as the mainly analysis objects,to explores the aesthetic taste of the"Red with Green"that actually existed in the clothing culture of the powerful class in the Tang Dynasty.

关 键 词：红绿配色 汉族文化 唐代服饰 审美旨趣 

分 类 号：K87[历史地理—考古学及博物馆学]