从电影叙事到电影叙事学  

From Film Narrative to Film Narratology

作　　者：刘云舟[1] Liu Yunzhou

机构地区：[1]福建师范大学

出　　处：《电影理论研究（中英文）》2022年第4期56-60,共5页Journal of Film Studies

摘　　要：从电影发展史看,叙事曾挽救了新生的电影,让电影成为伟大的第七艺术。电影可以叙事,并且主流电影大多讲述故事,这对于观众是不言而喻的常识,为什么却成为电影叙事学家必须论证并解决的基本问题?本文论述作为一门科学的电影叙事学如何从学理上阐明电影与叙事、电影与叙述者、演示和叙述之间错综复杂的关系,并论述从结构主义经典叙事学向后经典叙事学研究的转向。面对数字时代出现的各种新的叙事现象,采取类似“叙事学+”的研究路径更能有效研究电影叙事的各种问题。From the development of film history,narrative once saved the newborn movie and made it a great seventh art.Movies can narrate,and most mainstream movies tell stories.This is self-evident common sense to the audience,but why has it become a basic problem that film narratologists must demonstrate and solve?This article discusses how film narratology as a science sheds light on the intricate relationships be-tween film and narrative,film and narrator,monstration and narration,and discusses the turn from structural-ist classical narratology to post-classical narratology research.In the face of various new narrative phenomena in the digital age,adopting a research path similar to"narratology+"can more effectively study various is-sues offilm narrative.

关 键 词：电影叙事学 电影叙述者 演示 叙述 认知叙事学 

分 类 号：J905[艺术—电影电视艺术]