北宋灵璧奇石文化考论  

Study on Lingbi Grotesque Stone Culture in Northern Song Dynasty

作　　者：朱曙辉[1] ZHU Shuhui(College of Literature and Communication,Suzhou University,Suzhou 234000,china)

机构地区：[1]宿州学院文学与传媒学院,安徽宿州234000

出　　处：《宿州学院学报》2023年第2期1-5,26,共6页Journal of Suzhou University

基　　金：安徽省哲学社会科学规划项目(AHSKY2020D149)。

摘　　要：为探析灵璧奇石文化的发展历程,采用社会历史研究法,从探源视角对北宋灵璧奇石文化的阶段性发展进程进行梳理。据考证:灵璧奇石文化源自北宋中期灵璧士绅阶层开采灵璧奇石用作园林景观石的行为。在北宋中后期的元丰、元祐、绍圣年间,灵璧奇石文化借助濒临运河要道的交通优势而不断扩大影响,并在当地形成了具有一定规模的商业交易圈。而自北宋末的政和年间开始,借助花石纲的搜罗和艮岳园林的修建,灵璧奇石文化也得以迅速发展至鼎盛期。在这一阶段中,灵璧奇石文化不单在流行范围上迅速扩张,而且石品种类也大大丰富,并且奠定了灵璧奇石文化的基本审美内涵。In order to explore the development process of Lingbi Grotesque Stone Culture,this paper study the phased development process of Lingbi Grotesque Stone Culture in the Northern Song Dynasty by the method of social and historical research.According to research,Lingbi grotesque stone was first used as a garden stone by Lingbi local gentry in the middle of the Northern Song Dynasty.In the middle and late Northern Song Dynasty,the Lingbi Grotesque Stone Culture expanded its influence with the help of the transportation advantage close to the main canal,and formed a local commercial trading circle with a certain scale.Since the Zhenghe period at the end of the Northern Song Dynasty,with the help of Tribute of Flower and Stone which was used to the construction of royal garden,Lingbi Grotesque Stone Culture has also developed rapidly to its peak.At this stage,Lingbi Grotesque Stone Culture not only expanded rapidly in popularity,but also greatly enriched the types of stone products,and construct the basic aesthetic connotation of Lingbi Grotesque Stone Culture.

关 键 词：灵璧奇石文化 北宋 花石纲 

分 类 号：G127[文化科学]