记者、能者、行者与使者——赵婷电影研究  

Reporter,the Professional,Traveler and Emissary A Study of ZHAO Ting s Movies

作　　者：张怀强 ZHANG Huaiqiang(College of Arts,Wuhan University,Wuhan 430072,China;Department of Public Education,Yunnan Open University,Kunming 650223,China)

机构地区：[1]武汉大学艺术学院,武汉430072 [2]云南开放大学公共教学部,昆明650223

出　　处：《重庆交通大学学报（社会科学版）》2023年第2期83-88,共6页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：云南省教育厅科学研究基金项目“‘一带一路’视阈下东南亚华语电影创作及美学研究”(2019J1149)。

摘　　要：赵婷近年来在世界影坛载誉颇丰。她拍摄的电影《无依之地》获得普遍认可的首要原因在于其一直坚守电影记录社会现实和关爱少数族群的创作原则。其次,对电影语言的全能掌握是她能够完成自我表达与从中外青年导演中脱颖而出的内在原因。再者,赵婷系列电影创作生成出“在路上”意象是她形成独特艺术风格及造成漫威电影失败的深层原因。最后,赵婷跨文化电影创作的成功经验对中国电影实现更好“走出去”具有启示作用。记者、能者、行者与使者既是赵婷电影的特色所在,也是她艺术的价值所在。ZHAO Ting has won a lot of fame in the world movie field in recent years.The primary reason why Nomadland is universally recognized is that it has always adhered to the creation principle of recording social reality and caring for minority groups.Secondly,her comprehensive command of movie language is the internal reason for her to complete self-expression and stand out from the world s young directors.Moreover,the image of“on the road”created in ZHAO Ting s movies is the deep reason for her unique artistic style and the failure of marvel movies.Finally,ZHAO Ting s successful experience in cross-cultural movie creation has an enlightening effect on the international communication of Chinese movies.The reporter,the professional,the traveler and the emissary are not only the characteristics of ZHAO Ting s movies,but also the value of ZHAO Ting s art.

关 键 词：赵婷 《无依之地》 在路上 《永恒族》 

分 类 号：J901[艺术—电影电视艺术]