从图案学到设计艺术学:诸葛铠学术思想探析  

From Pattern to Artistic Design:A Study of Zhuge Kai's Academic Thought

作　　者：秦岩 张犇 QIN Yan;ZHANG Ben(School of Fine Arts,Nanjing Normal University,Nanjing 210023,China)

机构地区：[1]南京师范大学美术学院,南京210023

出　　处：《工业工程设计》2023年第2期8-12,24,共6页INDUSTRIAL&ENGINEERING DESIGN

基　　金：国家社科基金艺术学项目(21BG112)。

摘　　要：我国目前的设计学科与早期的图案学有着紧密的联系,在过渡过程中,诸葛铠对图案设计原理的梳理,为20世纪末尚处于雏形期的中国设计学科的构建作出了重要贡献。通过对诸葛铠图案学思想内涵的深入探究,确认了诸葛铠图案学思想之于中国设计学科发展初期的重要性。诸葛铠的图案学思想及其理论成果,不仅构筑起新时期图案学理论建设的框架,也完全可视为中国“现代图案学”在学理上日臻完善的标志,有效推动了中国当代设计教育的建设与发展。The design discipline in China is the result of the transition from patternology,and in this process,Zhuge Kai's comprehension of the principles of pattern design made an important contribution to the construction of the Chinese design discipline at the end of the 20th century when it was still in its infancy.Through an in-depth investigation of the connotation of Zhuge Kai's thought on pattern,the importance of Zhuge Kai's thought on pattern to the early development of Chinese design discipline is confirmed.Zhuge Kai's thought of patternology and its theoretical achievements not only build the framework of the theoretical construction of patternology in the new era,but also can be regarded as the symbol of the theoretical perfection of Chinese"modern patternology",which effectively promotes the construction and development of Chinese contemporary design education.

关 键 词：诸葛铠 图案学 设计艺术学 

分 类 号：J524[艺术—艺术设计]