民间文献研究视角下的乐亭大鼓与乐亭调关系考辨  

Research on the Relationship between Laoting Dagu and Laoting Tune from the Perspective of Folk Literature Study

作　　者：郝苗苗[1] 鲁旭冉 HAO Miao-miao;LU Xu-ran(The School of Humanities and Arts,China University of Mining and Technology,Xuzhou 221116,China)

机构地区：[1]中国矿业大学人文与艺术学院,江苏徐州221116

出　　处：《赤峰学院学报（哲学社会科学版）》2023年第3期60-63,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：2022江苏省社科基金项目“中国民族音乐学的‘舶来理论’及其本土转化创新研究”(22YSB024);中国矿业大学研究生科研与实践创新计划资助项目“乐亭大鼓的田野音乐档案收集与整理研究”(2022WLJCRCZL249)。

摘　　要：乐亭大鼓是我国北方民间口头艺术形式之一。然而,学界有关乐亭大鼓的学术积累比较稀少,相关乐亭大鼓的文献史料也并不丰富,导致乐亭大鼓的源流关系研究始终未能厘清。本文基于各种类型民间资料的互考互证去厘清乐亭大鼓历史源流中关于乐亭大鼓和乐亭调朦胧不清的关系,并思考过往被音乐学界所忽视的散落在民众日常生活之中的“民间文献”之于音乐学术研究的价值与意义。Laoting Dagu is one of the folk oral art forms in North China.However,the academic accumulation of studies on Laoting Dagu is relatively scarce,and moreover the literature and historical materials related to Laoting Dagu are not sufficient,making the relationship between the origin and development of Laoting Dagu unclarified yet.This paper attempted to refer to clarify the ambiguous relationship between the Laoting Dagu and the Laoting Tune in the historical origin of the Laoting Dagu based on the cross-examination and mutual verification of various types of folk materials.Meanwhile,the value and significance of"folk literature"in the daily life of the people,which was easily neglected by the academia of musicology,for music academic research were elaborated in this paper.

关 键 词：“民间文献” 乐亭大鼓 乐亭调 

分 类 号：J826[艺术—戏剧戏曲]