文化自信视野下的古诗词改编钢琴曲音乐分析与演奏诠释——以储望华《满江红——前奏曲》为例  

Music Analysis and Performance Interpretation of Piano Music Adapted from Ancient Poetry--Take Chu Wanghua’s Man Jianghong Prelude As an Example

作　　者：张三未 ZHANG San-wei(Piano Department,Shenyang Conservatory of Music,Shenyang 110000,China)

机构地区：[1]沈阳音乐学院钢琴系,沈阳110000

出　　处：《湖北第二师范学院学报》2023年第3期7-13,共7页Journal of Hubei University of Education

摘　　要：作为以中华民族传统文化为背景的音乐作品,中国古诗词钢琴改编曲《满江红——前奏曲》是我国传统文学作品和国外乐器钢琴所结合的产物,也是储望华的代表作之一。储望华在这部改编曲中对我国古诗词文学作品和钢琴的艺术性结合予以探究,展现了中国传统文学的魅力以及古曲的跨时代意义。在文化自信语境下,对古诗词钢琴改编曲《满江红——前奏曲》独有的艺术特性以及演奏价值进行探讨,有利于更深入地学习民族风格钢琴改编曲的创作手法和弹奏技巧,也能够提升对中国传统音乐的自信心和增强民族自豪感,响应习近平总书记提出的增强文化自信自强的目标。As a musical work with the traditional culture of the Chinese nation as the background,the pianoadaptation of Chinese ancient poetry Man Jianghong Prelude is a product of the combination of Chinesetraditional literary works and foreign musical instruments and pianos,and is also one of Chu Wanghua’srepresentative works.In this adaptation,Chu Wanghua explores the artistic combination of Chinese ancient poetryand literature and piano,showing the charm of Chinese traditional literature and the cross-era significance of ancientmusic.To explore the unique artistic characteristics and performance value of the piano adaptation of ancient poetryMan Jianghong Prelude is conducive to further learning the creative techniques and playing skills of the pianoadaptation of national style,and can also enhance the self-confidence of the Chinese traditional music and enhancethe national pride.

关 键 词：古诗词改编曲 《满江红—前奏曲》 分析与诠释 

分 类 号：J624.1[艺术—音乐]