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作 者:孙华东 邹乐祺 SUN Hua-dong;ZOU Le-qi(Guangxi Art University College of Chinese Painting,Nanning 530007,Guangxi,China;Guangxi Art University College of Plastic Arts,Nanning 530007,Guangxi,China)
机构地区:[1]广西艺术学院中国画学院,广西南宁530007 [2]广西艺术学院造型学院,广西南宁530007
出 处:《红河学院学报》2023年第2期14-19,共6页Journal of Honghe University
摘 要:六八体作为越南后黎朝时期出现的一种诗歌体裁,因其特殊性,对其来源众说纷纭。细究其表现形式、创作手法具有深厚的汉文化根源。从其形式特征来看,它是古诗体换韵手法、唐律平仄准则、宋词句式结构在越南凝聚变异的产物。对于其出现的缘由,结合当时的社会语境来看,是深受儒学影响的越南文人的结果,在民族及其文化独立意识的驱动下,运用自身精湛的诗歌创作技巧,将满足越南精神需求和审美好尚的题材,以一种全新的文学形式呈现。As a kind of poetry genre in Vietnam’s post-Li Dynasty,there are different opinions on the“six-eight style”(hexaoctahedron)origin due to its particularity.A careful study of its forms of expression and creative techniques shows that it has deep roots in Chinese culture.The reason for its emergence,combined with the social context at that time,is that Vietnamese scholars deeply influenced by Confucianism,driven by the sense of national and cultural independence,use their exquisite poetic creation skills to present the theme that meets the spiritual needs and aesthetic tastes of Vietnamese people in a new literary form.
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