游戏体的另类书写:论李清照《打马赋》辨体、尊体意识  

Li Qing-zhao’s Writing Consciousness of“Identification”and“Respect”in“Da Ma Fu”

作　　者：张媚东 ZHANG Mei-dong(College of Literature,Shaanxi Normal University,Xi’an 710119,Shanxi,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《红河学院学报》2023年第2期74-79,共6页Journal of Honghe University

摘　　要：李清照《打马赋》一文的书写方式是对赋体文学“辨”“尊”传统的继承,代表着作家对赋体雅俗标准与正统思想的重申。从文体内部规范与审美特质的角度看,该赋在艺术上沿袭前代赋体铺采摛文、骈四俪六、结构精巧、限韵等特征,表现出明显的辨体思维;从赋体文学价值谱系的角度看,该赋在正文、“辞曰”部分明道言志的思想主旨符合古人“赋乃诗骚之源”的文体观念,是靠拢赋之正体而为的尊体结果。Li Qing-zhao’s writing style of“Da Ma Fu”is the inheritance of the tradition of“identification”and“respect”in Fu literature,which represents the writer’s restatement of the elegant and vulgar standards and orthodox thoughts of Fu.From the point of view of the internal norms and aesthetic characteristics of the style,Fu artistically inherits the characteristics of the previous generation,such as magnificent style,double four and six,exquisite structure and rhyme limitation,showing an obvious thinking of distinguishing style.From the point of view of the literary value pedigree of Fu style,the main idea of the Fu in the text and the part of“Ci Yue”to express the Tao and ambition accords with the ancient people's literary concept of“Fu is the source of the Book of Songs and Li Sao”,which is the result of respecting the body of Fu.

关 键 词：《打马赋》 李清照 辨 尊 

分 类 号：I561.074[文学—其他各国文学]