新时代下的冰雪景观艺术人才培养模式探索  

EXPLORING THE TRAINING MODE OF ICE AND SNOW LANDSCAPE ART TALENTS IN THE NEW ERA

作　　者：祝劲松[1] 付振宇[2] Zhu Jinsong;Fu Zhenyu

机构地区：[1]哈尔滨学院艺术与设计学院,黑龙江哈尔滨150001 [2]长春工程学院艺术设计学院,吉林长春130021

出　　处：《工业设计》2023年第3期35-37,共3页Industrial Design

基　　金：黑龙江省教育科学“十四五”规划2022年度重点课题项目《产教融合视域下黑龙江省高校冰雪艺术应用型人才培养研究》(项目编号:GJB1422336);黑龙江省高等教育教学改革研究项目《冰雪景观特殊人才培养模式研究与实践》(项目编号:SJGY20210514);吉林省教育科学“十四五”规划2022年度一般项目课题:《吉林省冰雪艺术设计创新人才培养研究》(项目编号:GH22159)。

摘　　要：随着国内冰雪景观旅游的蓬勃开展,冰雪艺术人才供需矛盾凸显,传统的人才培养模式已不适应产业的发展需求。文章首先阐述了冰雪艺术的概念,然后分析了目前新时代下冰雪景观艺术人才的供求矛盾,最后提出调整教学目标、教学方式、教学内容的冰雪景观艺术人才培养模式。以期为高校冰雪艺术人才培养模式提供新思路,做好冰雪景观发展“人才保障”服务。With the vigorous development of ice and snow landscape tourism in China,the contradiction between supply and demand of ice and snow art talents is prominent,and the traditional talent training mode can no longer adapt to the needs of industrial development.This paperfirst expounds the concept of ice and snow art,then analyzes the contradiction between supply and demand of ice and snow landscape art talents in the new era,andfinally puts forward the training mode of ice and snow landscape art talents which adjusts the teaching objectives,teaching methods and teaching contents.In order to put forward new ideas for the training mode of ice and snow art talents in colleges and universities,and do a good job in the"talent security"service of ice and snow landscape development.

关 键 词：供需矛盾 冰雪景观 人才培养 模式 

分 类 号：G64[文化科学—高等教育学]