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作 者:董佰奇 DONG Baiqi(School of Fine Arts,Southwest University,Chongqing,400715,China)
机构地区:[1]西南大学美术学院,重庆400715
出 处:《文化创新比较研究》2023年第1期5-9,共5页Comparative Study of Cultural Innovation
摘 要:该文以宋代道教斋醮仪式过程与《三官图》画面内容之间的关系为切入点,对《三官图》之《天官图》中的视觉因素加以解读,认为《天官图》中庆云的造型应是借鉴了道教灵图“观觉郁鉴”的云篆形式,用以强化《天官图》中对天与帝图像内涵的表达,同时指出《天官图》中的庆云形象对《新编对相四言》中天图像造型的影响,以期为后续研究道教视觉文化提供一定借鉴。Starting from the relationship between the process of Taoist rites in the Song Dynasty and the picture content of The Picture of Three Officials,this paper interprets the visual factors in The Official of Heaven Picture in The Picture of Three Officials,and holds that the shape of propitious cloud in The Official of Heaven Picture should refer to the cloud seal form of Taoist talisman"guan jue yu jian",so as to strengthen the expression of the image connotation of heaven and emperor in The Official of Heaven Picture.At the same time,it points out that the image of propitious cloud in The Official of Heaven Picture has an impact on the image modeling of the sky in Xinbian Duixiang Siyan.It is expected to provide some reference for the follow-up study of Taoist visual culture.
关 键 词:《天官图》 宋代斋醮仪式 庆云 道教灵图 《新编对相四言》
分 类 号:K879.4[历史地理—考古学及博物馆学]
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