从喀耳刻意象之嬗变看女性话语权的缺失与建构  

From the Transmutation of Circe’s Image to See the Lack and Construction of Women’s Discourse Power

作　　者：方一诺 FANG Yinuo(Fine Arts College,Henan University,Kaifeng Henan,475000,China)

机构地区：[1]河南大学美术学院,河南开封475000

出　　处：《文化创新比较研究》2023年第1期21-24,共4页Comparative Study of Cultural Innovation

摘　　要：喀耳刻作为西方神话的经典意象长期在后来的文学艺术领域中反复出现。通过对该意象的嬗变进行梳理,发现其在产生之初实则具有亦正亦邪的双重特质,却在历史进程中不断被巫化和妖魔化,这种状况一直持续到大约20世纪才逐渐改善。这一意象变化的背后实则鲜明地体现了女性话语权由缺失到建构的历史进程,其形象的恶化及该种女性类型的存在实则是男性话语权取得支配地位的必然结果。同时,在当代女性主义浪潮风起云涌之际,对该意象的重述也体现了鲜明的女性意识和对男性权威的消解。As a classic image of Western mythology,Circe appeared repeatedly in the later literary and artistic fields for a long time.By sorting out the evolution of this image,it is found that it actually had the dual characteristics of good and evil at the beginning,but it was constantly shackled and demonized in the course of history,and this situation continued to gradually improve until about the 20th century.Behind this image change,it clearly reflects the historical process of women’s discourse power from absence to construction.The deterioration of its image and the existence of this type of women are in fact the inevitable result of the male voice’s dominance.At the same time,at a time when the wave of contemporary feminism is surging,the retelling of the image also reflects a clear female consciousness and the dissolution of male authority.

关 键 词：喀耳刻 神话意象 女性主义 重述神话 女巫 

分 类 号：I207.42[文学—中国文学]